Though she only first arrived onto (and soon conquered) the popular music scene 16 years ago, the breadth and depth of her work seems more the stuff of a lifelong evolution, spanning multiple genres and breaking industry records almost every time around. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. But none are more affecting than "champagne problems," a first-person post-mortem after rejecting a marriage proposal a classic "it's not you, it's me" scenario with simple piano chords accompanying the guilt of walking away and the peril of being mentally unwell ("'She would've made such a lovely bride' / 'What a shame she's fked in the head,' they said"). These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. What makes Taylor's first foray into pop so often irresistible is her ability to rise above the genre's preoccupation with recycled hooks and surface level lyrics. Swift dropped a "special very chaotic surprise" in the form of seven bonus tracks. Fearless, however, just as strongly made the case that Swift had the goods for a long, rich career. Still, what some may see as folklore's central weakness is in actuality its greatest strength. "Red" and "Lover" remain in the middle of the pack. The Grammy-winning Mean is amongst Swifts most underrated songs, Sparks Fly is a toe-tapping head-banging anthem and break-up slow-burner Back to December is a karaoke classic. i. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. Consider how the instrumentation drops out during the last two words of the hook in Last Kiss, allowing the singers breathy vocal delivery to bear the entirety of the songs emotional weight, or how a simple acoustic guitar figure on Enchanted slowly crescendos behind each repetition of the line I was enchanted to meet you. Unfortunately, the greater complexity and range found in Swifts sound and in her song constructions doesnt necessarily translate to her songwriting. The album finds Swift living up to all of the praise she earned for her songwriting earlier in career. Painting the picture of an unravelling relationship, it gradually crescendos, climaxing in the gut-punch couplet of And you call me up again just to break me like a promise / So casually cruel in the name of being honest. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. 1989. rep. Red. As critic Jon Caramanica wrote for The New York Times in 2014, this album is filled with catchy pop tracks but it sets itself apart from mainstream music of that genre. Jonathan Keefe. True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. And a follow-up to 1989 would always have big shoes to fill but Reputation lacked the stone-cold smashers Swift has proven time and time again shes capable of. The title track, whose lilting rhythm and reverb-soaked drums and vocals are reminiscent of Mazzy Stars 90s gem Fade Into You, and the acoustic Soon Youll Get Better, a tribute to Swifts mother, hark back to the singers pre-pop days, while I Think He Knows and False God evoke Carly Rae Jepsens brand of 80s R&B-inflected electro-pop. What once felt (or possibly still feels) like the end of the world is, on "Taylor's Version," also a testament to resilience we'll make it to the other side, and we'll do it again and again. Shes doing exactly what shes always done: offering a collection of incisive, often provocative songs that incorporate authentic, first-person details and leaving others to argue over specific genre signifiers. It made sense then for this, her second studio album, which won her four Grammys including Album of the Year, to be the first altar in the "Taylor's Version" re-recording saga. Drag and drop items from the bottom and put them on your desired tier. It's humbling to hear a decades-defining artist at the absolute top of her career sing confessionals about self-loathing ("I'll stare directly at the sun but never in the mirror") and toxic longing ("I hosted parties and starved my body / Like I'd be saved with a perfect kiss") with less inhibition than ever before. Too many of us have felt like the monster on the hill encroaching on a peaceful city, the devastated partygoer in the blood-soaked gown, the midnight raining on a kindred spirit's sunlight, the lovesick loner lost in a labyrinth of their own making. Gone is the will-they-won't-they tension of Reputation's hushed, closed-door affair; Taylor's Lover is here to stay, and this seventh studio album exists almost solely to deliver that proclamation between a few self-love clichs ("I'm the only one of me") and tired girl-power taglines ("If I was a man / Then I'd be the man"). That said, this album ranked below the others as it plays it a bit safer than some of the music released later in her career. Like the "Taylor's Version" before it, 2021's rendition of Red lassos fans' near-decade old affection and nostalgia for the songs and herds them into an encore of adoration. Annie Galvin, Evermore is at once as confident and complete a statement as Folklore. Acoustic guitars, violins, and banjos enjoy free reign, dancing across tales of childhood friends destined for sparks, short-lived summer love, and backroad rendezvous. These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. Yet its the lyricism that makes Folklore such an astonishing album, with Swift writing both from her own point of view, as well as exploring other peoples. And we'd be remiss not to highlight the otherwise overlooked single "Today was a Fairytale" that is just as fantastical and hooky as Fearless' trademark tracks, but was unjustly tacked onto the soundtrack for the unfortunate 2010 film Valentine's Day (wherein Taylor made her acting debut as a kissing partner for then-boyfriend Taylor Lautner). ", "Ivy," the 10th track on "Evermore," alludes to an illicit affair, which is the name of track 10 on "Folklore.". "Cold As You" highlights Swift's talent in writing beautiful lyrics about heartbreak, a key Swift signature: "You put up walls and paint them all a shade of gray / And I stood there loving you, and wished them all away / And you come away with a great little story / Of a mess of a dreamer with the nerve to adore you.". Swifts surprise eighth album arrived with very little fanfare. It's a dreamy pop album, though not fully aligned with that subgenre thanks to more of Jack Antonoff's signature production, which injects Midnights with a pulsing, mounting aura in hypnotizing new tracks "You're On Your Own, Kid," "Mastermind," and Spotify play count heavyweight champ "Anti-Hero." 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" Perhaps compensating for that previous album's wave of negative press, Taylor here returns to her tried-and-true toolbox, leaning into romantic whim and angelic daydreams: living room waltzes, paper promise rings, sneaking through gardens, skipping down streets. 1989 instead is sonically joyous without losing dimension or leaning on familiarity. Following on from the release of Swift's 10th album 'Midnights', let's take a trip down memory lane and take stock of the superstar's career so far. Songs like "Blank Space" and "Wildest Dreams" are more than deserving of their far-reaching recognizability, but not so much their long time (and only recently dethroned) standing at the top of Taylor's Spotify play stats. Only time will tell if "Midnights" will climb up my ranking, but as a new album amidst an outstanding discography, more time is needed to test how well it stands out from the rest. If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. Songs like I Know Places ride a reggae swagger and trap-influenced snare beats before launching into a soaring, Pat Benatar-esque chorus. Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. This is based on A. Listening to folklore then is like wiping the cuff of a cable knit on fogged glass to peer in on private moments. The music of folklore takes its time to unfurl, ivory keys yawning at dusk, acoustic strings waking at daybreak. The brooding production glitches and glitters, embracing the indietronica thats permeated the last few The National records. Keefe. Paul Attard, Considering that Swifts previous material was almost always better when she tossed the ill-fitting country signifiers and focused on her uncanny gift for writing pop hooks, Red was a smart, if overdue, move for the singer. Sal Cinquemani, Midnights is far removed from the folk instrumentation of Folklore and Evermore, coming closest to mirroring 1989s more uptempo electro-pop palette. Here are the 40 biggest Taylor Swift songs, based on actual performance on the weekly Billboard Hot 100 (through the chart dated December 17, 2022). Though she was praised for her songwriting right out of the gate, what Swifts self-titled debut truly shows in hindsight is how diligently shes worked to hone her craft over the years. It's as if we're sitting round a campfire confiding in one another, sharing painful memories of when our best wasn't good enough, when our savior complex sputtered out, and when we watched them walk away. So it is written in "State Of Grace," beginning the album with a percussive prologue la U2, warning that we "fall in love 'til it hurts or bleeds or fades in time" before proclaiming, almost joyously, that she'll "never be the same." Its fantasias are more melancholic, its themes of longing more resentful. The catalyst was lead single "Tim McGraw," but this ticket to the country radio airwaves turned out to be a red herring with the advent of other ironclad, infinitely repeatable songs that remain fan favorites, even in lieu of our now excess of options. But none before were so intricate and immersive as a whole fictional timeline pieced together from multiple angles in an album just over an hour long. "Red" is a sophisticated album that demonstrates that Swift cannot be put into a box of one category or another: her sound is not all emotional songs about past lovers or radio-ready pop tracks it's so much more. Shes described it as a sister record to the aforementioned Folklore; where that record allowed Swift to completely reinvent her sound, coupling her trademark hooks and vibrant storytelling with indie-folk instrumentals, Evermore exudes a new sense of confidence. But this time, we're also met with a subtle lightness, like the calm and clarity that comes after a good cry. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. Entertainment Weekly may receive compensation for some links to products and services on this website. Other notable tracks include "Illicit Affairs," "Invisible String," and "Betty.". Im not surprised you guys mostly hate on records and rarely do things right. But as Pitchfork critic Anna Gaca pointed out, the album may be honest and genuine, but it feels uneven with how much it sways from garish pop singles like "ME!" Where her debut guaranteed she was, at the very least, a momentary sensation, it wasn't until 2008's Fearless that the world understood the musical force that Taylor Swift could be. Casting aside the usual lengthy album campaigns or meticulously planned drip-feeding of singles, T-Swiz uncharacteristically announced Folklore the day before it was released. and Bleachers fame), who employs an undercurrent of drums that boom like palms on metal doors and vocals that echo as if off skyscrapers. But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. October 26, 2022. Taylor Swift surprise-released her eighth album "Folklore" on July 24, 2020. Perfectly Fine." As Rob Sheffield wrote for Rolling Stone, this album combined a lot of previous versions of Swift, seemingly capping off her career. Rather, their relative simplicity only adds to Fearless' charm, bridging the old with the new a woman's voice singing a girl's anthems to make a once good album now great. Its a solid album which shows bucket-loads of promise; but its not a patch on what was to come later. Debut. How often I find myself in the mood to listen to . First contact is a shock, a singe that lingers and radiates energy, next a scab, hardening as it heals, before calming into a scar you carry, listening to, forevermore. The worlds defining voice in music and pop culture: breaking whats new and whats next since 1952. "So I just kept writing them.". Taylor Swift albumsTaylor Swift - 1989Credit: Big Machine, Fall Music Preview Most Anticipated Albums, Taylor Swift albumsTaylor Swift - Speak NowCredit: Big Machine. Anyway. Rather, it recalls the key moments of a love gone awry in arresting detail "I'll get older, but your lovers stay my age" wasting not a single word in confronting a past partner many years her senior (unanimously believed to be Jake Gyllenhaal) nearly 10 years after the fact. Welcome to the Taylor Swift song sorter. It won a mantelpiece of awards including the Grammy for Album of the Year but perhaps even more impressive is the fact its already left a massive impact, a mere six years after it was released. To celebrate the release of Swifts tenth album Midnights, here we take a look back on Taylor Swifts entire career and rank her ten albums in order of greatness. "Marjorie," track 13 on "Evermore," is about Swift's grandmother. After the runaway success of country-pop second record Fearless, for Speak Now elements of pop rock, bluegrass and soft rock were added into the mix. Immediate highlights include tracks like "Willow," an upbeat song that transports listeners back to the "Folklore" universe. ranking every taylor swift song - YouTube 0:00 / 1:02:35 ranking every taylor swift song julia cudney 186K subscribers Subscribe 12K Share 235K views 2 years ago spotify. Thus, her 10th album is at the neutral midpoint on this list, though Midnights' careful metaphors are some of the best mirrors for abstract projection and self-reflection that listeners will find on this list. Taylor Swift's folklore rose from quiet shadows at the peak of isolation and uncertainty, written and produced in quarantine and released during the first COVID summer. This new sound may not be a far cry from the original, but to the trained Swiftie's ear, these small changes culminate into a noticeably "richer" listening experience from all angles. Speak Now. When "Midnights" was first announced, Swift described it as "the stories of 13 sleepless nights scattered throughout my life" and invited fans to meet her at midnight the night the album dropped. Would it be soft and sincere, like "New Year's Day," poppy and upbeat like "Wildest Dreams," or go back to Swift's acoustic roots with songs like "Untouchable"? All necessary praise aside, one of the great joys of tracing Taylor Swift's arc is seeing her sound bleed across genres, from country and pop to (half-baked) hip-hop and folk and back. The difficulty (and, perhaps, the beauty) of attempting to order her albums is that 1) she's been so consistently good, and 2) whichever albums harbor your affections most can change by the year, month, day, and even hour depending on your headspace and heartache. Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). Less gradual was Swifts shift from political agnostic to liberal advocate. But past skeptics be damned, the album has stood the test of time, with many now backpedaling their initial criticisms to revel in her unabashed outbursts of rage and ecstasy and its thematic anchor of tender love and care. But the true gems of this wildly successful 2021 re-recording (which topped every chart in sight across the globe) are undoubtedly "Love Story," which resurfaces here with heightened sensibilities and deeper convictions, along with several songs "From The Vault," most notably "Mr. Although "Folklore" may not have the mainstream appeal of her previous albums, it's an album longtime fans will appreciate as it highlights her stellar songwriting and pays homage to her acoustic roots. I also factored in critic reviews of the albums when deciding on the final ranking. But before expanding on her honeymoon phase, we're treated to the tour-de-force track "Cruel Summer" (not a Bananarama cover), a buzzer-beating, angst-wielding anthem that's among the greatest pop songs her auteur has ever crafted. Songs like Love Story, You Belong with Me and Fifteen, filled with heart-on-sleeve lyrics and earworm hooks, remain among her best. While she had flirted with a transition from country in Red two years prior, 1989 came full throttle with heightened production from soon-to-be mainstay producer Jack Antonoff (of Fun. As if a trump card she saved specially for its bridge, Taylor relinquishes a rare shriek of elation and dismay ("He looks up grinning like a devil!") "Mine" proves this point at the LP's onset, condensing years into seconds, tracing the shadow childhood trauma casts over a guarded, grown-up love ("You made a rebel of a careless man's careful daughter / You are the best thing that's ever been mine"). Swifts cottage-core diptych felt innovative in how they rebuilt Swifts sound from the ground up, but despite its own idiosyncratic delights, Midnights ultimately feels too indebted to her past efforts to truly push her forward. And as critic Chris Willman wrote for The Hollywood Reporter in 2010, "Speak Now" saw Swift's music style mature while still keeping elements of her youth that her fans so adored in her previous two albums. "I have this Forrest Gump-ian way of touching something and it becomes a hit!" Swift closes the non-deluxe edition of "1989" with "Clean," which adheres to the pop theme but is more low-key and showcases the heartfelt, haunting songwriting she's known for: "The drought was the very worst / When the flowers that we'd grown together died of thirst / It was months and months of back and forth / You're still all over me like a wine-stained dress I can't wear anymore.". After spending the last two years re-recording some of those early releases, including Fearless and Red, Swift has returned with Midnights, her first album of new material since 2020s Evermore. Her detour is immediately apparent with a simple piano opening on "the 1," as piano chords echo a slight reverb off a guitar's strum-claps, while melancholy ballad "exile" (feat. Her narrators often seem to lack insight because Swift writes with the point of view that hers is the only story to be told, which makes songs like Dear John and Better Than Revenge come across as shallow and shortsighted. Like folklore, much of evermore is made up of somber soliloquies that materialize like a fine mist over a field in the dead of winter. Many artists lucky enough to enjoy their 15 minutes of fame peak at the onset, delivering one or two tokens of pop culture product before a dwindling stream of less impressive ventures. document.getElementById("comment").setAttribute( "id", "ae642da28755683afdf2ec0fe06ed858" );document.getElementById("facec42938").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. But what's never changed is Taylor's enchanting ability to translate a memory whether charmed or trying into a moment that feels like yours. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. Swifts seventh ignores the bombastic electro-pop of its predecessor, and instead embraces the sleek stylings of 1989. But her mounting success undoubtedly stands on the shoulders of Speak Now's case studies of condensing complex inner dilemmas seeing your parents' failed marriage as a prophecy, wishing you'd never grown up into an album still adorned with hope. Released in 2006, Swift's first studio album is so country that newer fans may barely recognize the songstress' sound considering she has experimented with a number of other genres since then. This winning combination warrants countless replays and, even now, listening to this song more than 10 years later reminds many of us so strongly of a crush we had when we were younger. Lover. Where Swift has re-recorded an album, we have included only the new, re-recorded version of the record in the ranking. Songs range from edgy and confident with "I Did Something Bad" to breathy and beautiful with "Dress," all the while playing with different musical styles and production effects. "Picture To Burn" is a scorned teen's "Before He Cheats" swapping shooting whiskey for rumor mills with a grown woman's wit and a veteran songwriter's aptitude. But Swifts most recent three albums are united through their more matured temperament and the stark intimacy of Swifts songwriting, with the comparatively scaled-back nature of her sound serving as a natural extension of this methodology. All of Swift's signature elements are present on Swift's third studio album that was released in 2010 beautifully honest lyrics about heartbreak ("Dear John," "Last Kiss"), biting diss tracks ("Mean," "Better Than Revenge"), and a story that unfolds ("Mine"). It was the first taste the world got of Swifts deeply confessional songwriting, and from that moment, we were hooked. At just 20-years-old before she had even fully blossomed out of country's genre barriers Taylor had mastered the delicate balance of detailing the life moments blurred between adolescence and adulthood. Back in 2006, a little-known country singer called Taylor Swift released her debut single Tim McGraw. She draws from her accumulated life experience and musical insight to connect with her younger self, refining her past homages to youth with matured, knowing vocals (dropping her country inflection for a more rounded singsong). Taylor Swift's "Folklore" album cover was photographed by Beth Garrabrant. All of Taylor Swift's Albums in order + Some unreleased, bonus, and soundtrack songs (only ones that are in a mostly complete state) in table form A mean/mode score calculator under each album Page 2 A macro-enabled automatic ranking table of each album's mean score, with colours that re-orders automatically as you score the songs on Page 1 Page 3 That early nuance and the fact that she wrote this entire album completely on her own is no small feat. The album's comedown is a moment of quiet reflection carried by a piano's lone lullaby, when the festivities are over, the partygoers are gone, and all that's left is a lover for the long haul ("I want your midnights / But I'll be cleaning up bottles with you on New Year's Day"). The new, re-recorded version of the pack and range found in sound. How this album successfully acted as a reminder that Swift is a powerhouse musician who be! Surprised you guys mostly hate on records and rarely do things right Evermore is at as. 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